https://www.instagram.com/reel/Cow6o41NmjE/?igshid=MDJmNzVkMjY=
I love this deeply every time I hear it.
Tag: art
Beyond Monet: Commentary
The ticket price is pure sticker shock, however the exhibit sparks wonder. Upon entering, viewers are greeted to written commentary against backlit images of Monet’s work. The commentary flowed like poetry. The headings alone are a highlight reel of a life well-lived.
I must say, I saw myself and my work in the descriptions of Monet and his work. I’ve been a lover of impressionist art since high school. Reading these words about Monet’s work highlighted how deeply embedded the impressionist aesthetic is in my view of the world as well as my desire to capture changing light in my photography.
Photo: Red Lighthouse Series
Upon my return to Milwaukee, WI in spring 2021, I began photographing several spots repeatedly. My intention was to capture as many seasons as I could while in town. It’s been well over a year now and I’ve entered a second cycle for this project.
In edition to capturing spaces at different times of the year, I captured different times of day and various weather conditions. I think it’s a lovely collection of work, but of course I’ biases.
My goal is to offer several as prints in the near future.
Which ones would you enjoy most in your space?
Bronzeville Cultural & Arts Fest
It’s a vending day today. I’m out today on NORTH & MLK in Milwaukee selling my wares. I’ve got some books, photo prints and t-shirts with me. Stop by if you’re in the area.I’m next to the gospel stage so you may see me singing and dancing in the street! 😘Cheers for a great day! Peace and Joy to you all!https://harvest-life.org/movie0031-mp4/#naturalhair #afro #from #tangledlocks #festival #fest #day #rainyday #cloudy #day #bronzevillemilwaukee #bronzeville #artsfest
Google in My Afrocentric Life
Doodle 4 Google 2016
National Winner: Google in My Afrocentric Life
Akilah Johnson, Eastern Senior High School, Washington, D.C.
My Afrocentric Google is drawn as a box braid, with my personal characteristics surrounding it. I based this picture off my lifestyle and what has made me into what I am today.
View the Contest Gallery: https://www.google.com/doodle4google/gallery.html
Now in it’s 8th year, the Doodle 4 Google Competition challenges young artists to create their own Doodle. This year’s competition called for submissions around the theme: “What Makes Me… Me.” Kids worked in their medium of choice, delivering uniquely personal and one-of-a-kind submissions.
Of 100,000 participants coming from all 50 states, Puerto Rico, Guam and Washington D.C., five national finalists were chosen to spend the day at Google Headquarters in Mountain View, California for the award ceremony. At 10 am PST [on March 21, 2016], this year’s national winner Akilah Johnson from Washington, D.C. saw her artwork go live on Google’s U.S. homepage for millions to see.
Thank you to all the finalists for sharing your creativity with us. And a hearty congratulations to our national winner, Akilah Johnson.
Photo Challenge, Weeks 19-22: Mother Nature, Stairway, Macro, Geometry
Remembering the Atrocities of Hiroshima
A couple of years ago, I saw Hiroshima, Mon Amour, a 1959 French film set in Hiroshima, Japan following the U.S. bombings of Hiroshima and Nagasaki on August 6 and 9, 1945. I had learned a very sanitized version of the bombings in school, but I don’t recall ever seeing the effects of the bombing, i.e. the large-scale destruction of life and the desolation of the survivors. Prior to watching Hiroshima, Mon Amour, I had not heard of the bombings in any personalized way. Suffice it to say that the film left an impression.
A couple of months ago, I visited Montreal, Quebec and spent an afternoon at the Botanical Garden. I spent the majority of my time that afternoon in the Japanese Garden. I trailed through the meditation spaces, lingered over the bonsai trees and wept over the Hiroshima memorial of drawings by survivors. I’ve been wanting to share this for a while, but it’s been difficult to revisit my photographs and the personal stories they captured. However, the 70th anniversary of the murder of so many Japanese people seemed to be an appropriate time to share the images.
We should all work to eliminate the idea that we need to destroy others in order for some to live with their own ideas of freedom. Visit the City of Hiroshima web site for current information about the city.
by Yashinori Kato 17yrs old at the time of the bombing
Torao Izuhara 23yrs old at the time of the bombing
by Taeko Hayakawa 22 yrs old at time of bombing
by Zenzo Sugiura 29 yrs old at time of bombing
by Shigeo Fujii 23 yrs old at time of bombing
Yasuko Sato 17 yrs old at time of bombing
Shinsaku Koguchi 25 yrs old at time of bombing
Tamotsu Komada 16 yrs old at time of bombing
| Atomic bombings of Hiroshima and Nagasaki | |||||||
|---|---|---|---|---|---|---|---|
| Part of the Pacific War, World War II | |||||||
 Atomic bomb mushroom clouds over Hiroshima (left) and Nagasaki (right) |
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| Belligerents | |||||||
 United States United Kingdom |
 Japan |
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| Commanders and leaders | |||||||
| William S. Parsons Paul W. Tibbets, Jr. |
Shunroku Hata |
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| Units involved | |||||||
| Manhattan District: 50 U.S., 2 British 509th Composite Group: 1,770 U.S. |
Second General Army: Hiroshima: 40,000 Nagasaki: 9,000 |
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| Casualties and losses | |||||||
| 20 U.S., Dutch, British prisoners of warkilled | Hiroshima:
Nagasaki:
Total: 129,000–246,000+ killed |
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from Wiki: https://en.wikipedia.org/wiki/Atomic_bombings_of_Hiroshima_and_Nagasaki
Portrait: Three Great-Aunts in Chicago
Over July Forth weekend, I was able to have a short visit with three of my paternal grandmother’s sisters. Shown in the below photos, left to right, are Aunt Gloria, Aunt Juanita and Aunt Faye. I first connected with each of them at the family memorial gathering for my Grandmother, their sister, Jurl in 2013. I friended them each on Facebook and Aunt Faye has proven to be a prolific Facebook gamer – she’s online a lot. 🙂 Last weekend was my first return since Grandma’s memorial service and I must say, I was quite looking forward to sharing time with my elder ladies.
This weekend I decided to begin Photoshop tutorials so I can become skilled at improving my finished photographic product. My self-learning course consisted of selection tools and background removal in Photoshop and experimenting with Topaz Impressions while using both as plugins to Lightroom CC 2015. The below edits are a combination of the techniques I’ve learned on YouTube and other tutorials as well as through trial and error.
There’s so much life and personality in these shots, it’s been a joy to sit with my lady aunts again as I learned editing techniques.
Edits in LightRoom, PhotoShop and Topaz Impressions/Georgia O’Keefe I 100%
Edits in LightRoom, PhotoShop and Topaz Impressions/Oil Painting by Jimmy LaSala 100%
Edits in LightRoom, PhotoShop and Topaz Impressions/Georgia O’Keefe I 65%
Edits in LightRoom, PhotoShop and Topaz Impressions/Water Color IV 72%
Exhibit: MARVELS AND MIRAGES OF ORIENTALISM
In May I spent a weekend in Montreal. The highlight of the trip by far was a visit to the Montreal Museum of Fine Arts for the Marvels and Mirages of Orientalism exhibit. Hands down, one of the best exhibits I have ever seen if only for this one image: A Tangerian Beauty. I will share other images from the exhibit in future posts, but for now, this beauty gets her own post, with a spotlight on the gentleman who paired her on the exhibit wall.
Why is she so special? Because most of the women in this exhibit of North African art, culture and people primarily portrayed white women as bejeweled favorites of the African rulers and as the recipients of services from “lower” black female co-servants. The majority of brown and black women were portrayed mostly as hard laborers (evidenced by muscled arms kneading the smooth supple skin of the lounging white women) or entertainers. The Tangerian Beauty is the one black woman in the WHOLE exhibit who was not depicted in a sexually exploitative manner, or in a physically unattractive way (i.e. as a dismissive curiosity) or as a servant. The bias of most of the works on display was so oppressive, I grew angrier throughout the exhibit. This got me to thinking of how black women have been portrayed in fine art throughout the ages around the world. Some sad thoughts there… but inspiration is blooming…. Yet still there was a whole exhibit, in a major museum, depicting the peoples and cultures of North Africa – something I have never seen in America.
A Tangerian Beauty is a splendid example of José Tapiró Y Baró’s North African ethnographic types that showcase the artist’s skill and remarkable attention to detail. In this vivid watercolor, the silken gleam of the headscarf, colorful feathers, the glint of gold, glow of pearls, elaborate costume, and the careful study of a particular physiognomy contribute to the remarkable immediacy of the image. The frame is original to this work, and apart from several decorative motifs, contains the number 1309, which probably refers to the Muslim Hijri calendar, which started counting in 622 AD to commemorate the Prophet Muhammad’s migration from Mecca to Medina. If converted to the Gregorian calendar, the year would be about 1891 AD.
Source: http://www.daheshmuseum.org/portfolio/jose-tapiro-baroa-tangerian-beauty/#.VYslJPnF9g0
She was paired with this handsome fellow:
More exhibit photos: http://www.mbam.qc.ca/en/exhibitions/past/marvels-and-mirages-of-orientalism/
Visit Montréal Museum of Fine Arts (https://www.mbam.qc.ca/en)
Exhibit: UNDER THE MEXICAN SKY
Exhibit closed June 27, 2015
I wandered into this exhibit on Saturday while walking around my neighborhood. It is a truly magnificent portrayal of the evolution of a creative life. As I told someone in the gallery, “Gabriel Figueroa sounds like someone I have heard of, but I would not been able to pinpoint why…. Though I am absolutely sure he has been referenced in countless works I’ve seen, heard or read.” The exhibit explores his career from the beginning as he learned photography by doing studio head shots to his transition into film with still photography and onward to creative collaborations with directors and other artists.
If you are in New York City and have any appreciation for photography or cinema, I encourage you to go see this exhibit before it closes on Saturday, June 27. It’s on display at El Museo Del Barrio, 1230 Fifth Avenue at 104th St. http://www.elmuseo.org
Volcanoes / Volcanes by Dr. Atl (Gerardo Murillo), c. 1952
Pedro Armendáriz posing between magueyes during the filming of The Hidden One / La Escondida Photo by Juan Rulfo
Cinema and The Graphic Arts: Collaboration between Gabriel Figueroa and Leopoldo Mendez Popular Graphic Arts Workshop). 1947-1953
Cinema and The Graphic Arts: Collaboration between Gabriel Figueroa and Leopoldo Mendez Popular Graphic Arts Workshop). 1947-1953
Cinema and The Graphic Arts: Collaboration between Gabriel Figueroa and Leopoldo Mendez Popular Graphic Arts Workshop). 1947-1953
Cinema and The Graphic Arts: Collaboration between Gabriel Figueroa and Leopoldo Mendez Popular Graphic Arts Workshop). 1947-1953
