I Missed My Smile: A Birthday Reel

An ode to a smile that rarely surfaces anymore. She came out and stayed a while during my recent #birthday 🎂 trip.Do you miss your smile?Self help: Go to a happy place, take/do something that makes you feel #joy, take a #selfie. Revisit selfie in humdrum moments. You’ll be transported. ☺️ Birthday joy 😊 AContinueContinue reading “I Missed My Smile: A Birthday Reel”

travel journal: a day in milano

I began and ended my vacation in Milan, Italy. Sight-seeing was not an interest for this trip, but I couldn’t bring myself to travel so far and not visit a note-worthy site and take some photos. I opted for the Duomo di Milano and the Galleria Vittorio Emanuele II across the plaza from the cathedral.

All of the below photos are stitched using Microsoft Image Composite Editor. Editing done in Lightroom.

Remembering the Atrocities of Hiroshima

A couple of years ago, I saw Hiroshima, Mon Amour, a 1959 French film set in Hiroshima, Japan following the U.S. bombings of Hiroshima and Nagasaki on August 6 and 9, 1945. I had learned a very sanitized version of the bombings in school, but I don’t recall ever seeing the effects of the bombing, i.e.ContinueContinue reading “Remembering the Atrocities of Hiroshima”

Exhibit: MARVELS AND MIRAGES OF ORIENTALISM

Why is she so special? Because most of the women in this exhibit of North African art, culture and people primarily portrayed white women as bejeweled favorites of the African rulers and as the recipients of services from “lower” black female co-servants. The majority of brown and black women were portrayed mostly as hard laborers (evidenced by muscled arms kneading the smooth supple skin of the lounging white women) or entertainers. The Tangerian Beauty is the one black woman in the WHOLE exhibit who was not depicted in a sexually exploitative manner, or in a physically unattractive way (i.e. as a dismissive curiosity) or as a servant. The bias of most of the works on display was so oppressive, I grew angrier throughout the exhibit. This got me to thinking of how black women have been portrayed in fine art throughout the ages around the world. Why is she so special? Because most of the women in this exhibit of North African art, culture and people primarily portrayed white women as bejeweled favorites of the African rulers and as the recipients of services from “lower” black female co-servants. The majority of brown and black women were portrayed mostly as hard laborers (evidenced by muscled arms kneading the smooth supple skin of the lounging white women) or entertainers. The Tangerian Beauty is the one black woman in the WHOLE exhibit who was not depicted in a sexually exploitative manner, or in a physically unattractive way (i.e. as a dismissive curiosity) or as a servant. The bias of most of the works on display was so oppressive, I grew angrier throughout the exhibit. This got me to thinking of how black women have been portrayed in fine art throughout the ages around the world….