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Before/After: Author Photo Self-Edit

Hot off the presses! **wink**

My new look is already old. My promo self-portraits for my upcoming book, I AM WOMAN, were taken in March 2020. I finalized the book cover a few months ago and this week I edited my author photo for the book’s bio page. While editing, I decided to add the final cover of the book. Have I told you lately how much I love learning my way around creative tools? A year ago, I struggled trying to combine two photos with any semblance of seamlessness. Look at me now! 🙂

Current author photo (self-portrait) with my published books

One of the priceless things I’ve learned with editing my own images is to do as much as possible pre-shoot to minimize post-edit work. For example, I love this blouse but it’s always wrinkled. I can iron it, stream it – for this shoot, I actually dampened it a bit and put it in the dryer. I really wanted the pop of color. That being said, removing wrinkles from clothes is an editing level I haven’t gotten to yet and honestly, I’m not really interested right now.

Do yourself a favor as you’re eyeing your subject from behind the lens. What do you see that may require post-edit attention (AND TIME)? Is there anything you can do to correct the image before you capture it?

Another thing I do is take random pictures of things I like with the idea that it may be useful in a composite in the future. As you explore your creativity, nothing is wasted. Your best image may be a combination of multiple images.

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I AM Woman Cover Work

This project has been my heart focus for a couple of years now. When it first came to mind, I had no idea how I was going to achieve a cohesive product because my thoughts for it were/are all over the place.

Despite very sound advice to focus on one theme, idea, pattern and font to carry throughout the project, I don’t think, create or interact like that. I’ve photographed over fifty women in six states at different stages of their lives from completely different backgrounds. The one thing they were all asked was: What word would you use to describe your womanhood? (My theme.) From that we went about trying to portray each woman and her word in an image. (Completely different styles all around.) Aside from the question and their interest, very few had much in common. So as I edit these images, my primary goal is to make each one stand on its own and hopefully, as individuals they can be a collective together. That’s an overall hope for my life as well.

Below are some steps I’ve taken to get to the cover for I AM Woman: Expressions of Black Womanhood.

Now accepting pre-orders for a limited number of copies. Place your order at Harvest-Life.org/shop.

Original image and near final cover for I AM Woman: Expressions of Black Womanhood. All photography and edits by LaShawnda Jones.
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Milwaukee Art Museum Image Edits

In 2018, I hosted a number of mini photo shoots for women interested in free photos and possibly being part of my final project titled, I AM Woman. The portrait sessions took place in New York City, Chicago, Gary, Milwaukee and Phoenix. The various backdrops include skyscrapers, water, desert, green parks, and museums.

Though I wanted interesting backgrounds, the backdrops were not a focus or priority. The locations were chosen for convenience and diversity. New York sort of lead the charge here as I held about six sessions around town. One was a practice shoot with a former co-worker in Central Park North. My second practice shoot took place at a women’s conference in Harlem. The third shoot was someone else’s photo project that I asked to join in Brooklyn Bridge Park. Permission was granted to tag alongside her photographer for my own shots and I offered to share my work with her for her project. After this, I scheduled my own sessions and accepted whoever showed up. Battery Park, Central Park, Columbus Circle – the City is certainly a huge part of I AM Woman.

Meeting in open, well-populated landmark locations seemed to work well. All the women were, for the most part, comfortable and almost immediately at ease.

In Milwaukee, the meet happened at the Milwaukee Art Museum. The landmark architecture of the Burke Brise Soleil, designed by Santiago Calvatrava, had to be the backdrop for this Great City on a Great Lake.

At the end of the shoots, I didn’t think I had done such a good job capturing the building. It was blurry and cut off in a lot shots. In others, the angles were unattractive. Again, since the building wasn’t my priority, I went about selecting the images of the women that best represented how they saw themselves.

Luckily, I don’t really delete my digital images. Years ago, I decided to keep everything I shoot with the belief that what I don’t like today will be amazing to me tomorrow. Because of this, editing the images for I AM Woman is exposing a great deal of possibilities by blending images I would normally do nothing with into images that need a bit of umph! I stitched four such photos together that didn’t work by themselves to get a great final image that will be the background of one of my portraits from that day in the final cut.

These were shot with my Sony A7iii and Rokonon 14mm wide lens; composited with Microsoft ICE; color and cropping were done in Lightroom; removals and smoothing done in Photoshop; and final finishes were done in Topaz Labs Impression. What do you think?

Stitch of about 4 images cleaned, trimmed, removed people and car

Progressive Images